Who is Miguel O’Hara?Ĭreated by Peter David and Rick Leonardi, Spider-Man 2099 brought a cyberpunk flair to comics’ favorite webhead, reimagining him in a techno-thriller set in the futuristic “Nueva York.”Īcross 44 issues, David, Leonardi, and a cadre of other artists spun a new story about Miguel O’Hara, a half Irish, half Mexican American geneticist working for the Alchemax mega-corporation.
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While the series was concluded in 1998, Miguel intermittently appeared in Marvel comics over the following years, until 2014 brought him into the mainstream Marvel Universe in a new Spider-Man 2099 series.Ĭurrent comics took Miguel back to his proper time, but he’s remained a fixture ever since. Spider-Man 2099 was by far the most popular and enduring character from the 2099 line. A few others, like Doctor Doom and the Fantastic Four, visited that future from the existing Marvel Universe. In the 2099 comics, everything in the main Marvel comics line was canonically referred to as a legendary “heroic age.” Many familiar superheroes, like Spider-Man and the Punisher, were reimagined for the new era’s cyberpunk dystopia, as new characters assumed classic alter egos. In 1992, Marvel launched a line of comics set in the Marvel Universe’s future, in the year 2099. Like a lot of weird comic book ideas, this one came about in the ’90s. He is simply the Spider-Man of the year 2099. The name “Spider-Man 2099” is not, strictly speaking, Miguel O’Hara’s nom de guerre. Because while Miguel is among the stranger versions of Spider-Man that Marvel has published a lot of comics about, he might ultimately be a lot stranger in the Spider-Verse films.
So before diving in here, take this information with an appropriately sized grain of salt.
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In fact, the backstory Miguel does get in this movie is new to this film - the way he mirrors Kingpin in Into the Spider-Verse, attempting to interlope in another reality where he could have a family, doesn’t come from the comics. However, there’s a caveat here: While the Spider-Verse films lovingly pull from Spidey comics and their many adaptations, most of the movies’ characterizations are original to them. Like a lot of things in Across the Spider-Verse, it’s easier to appreciate Miguel if you know his whole deal from the Marvel comics he first appeared in. (Insulting to all the other Spider-People, really.) Throughout the film, we learn that he’s kind of a vampire (which is never explained), he secretly takes a drug of some kind (also not elaborated on), and most crucially, he’s the one Spider-Man who’s never funny.
And likely because Across the Spider-Verse is just the first of a two-part story, the movie doesn’t follow up on the clues it lays down.įor a film that’s so packed with exposition, Across the Spider-Verse’s dodgy characterization of this particular alternate-universe Spider-Man can be frustrating. Those hints suggest he’s different somehow, maybe even disturbingly so.
Unlike the Spot, whose whole deal is thoroughly explained in Across the Spider-Verse, Miguel is largely a mystery in this movie - we get some backstory for him, but it’s mostly vague hints. As for the jerk, that’s Miguel O’Hara (Oscar Isaac), aka Spider-Man 2099, head of a cross-reality elite task force of parallel-world Spider-Mans. Spider-Man: Across the Spider-Verse has one of each.įor the former, there’s the Spot (Jason Schwartzman), one of the odder villains in the Spider-Man canon, a guy who can generate portals at will and cause all sorts of spatial chaos. Sometimes, a movie doesn’t need a villain a jerk will do.
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